Described by the New York Times as "the robust-voiced baritone" Luke Scott has performed leading roles with Orchestras and Opera companies in Canada and the US. A graduate of The Hartt School of Music and Bel Canto Scholarship Foundation grant winner his opera credits include Figaro in (Le Nozze di Figaro) Opera on the Avalon, Malatesta in (Don Pasquale) Salt Marsh Opera, Peter in (Hansel und Gretel) Opera Theater of CT, Taddeo in (L’Italiana in Algeri) Taconic Opera, Count Almaviva in (Le Nozze di Figaro) Martina Arroyo foundation, Argante in (Rinaldo) Boston Opera Collaborative, and Leporello in (Don Giovanni) Opera Western Reserve. Concert and symphony appearances range from the Brahms Requiem with Newburyport Chorale Society, Mozart Requiem with Connecticut Virtuosi Orchestra, Caramoor Bel Canto festival, clinician with El Sistema orchestra in Venezuel, Handel Alexander’s Feast with New Haven Chorale, soloist with Cape Cod Symphony, and a winner of the New England Concerto competition. His past past season held engagements of Escamillo (Carmen) with Maryland Symphony, Frank (Die Fledermaus) with Opera Theater of Connecticut, Bonze (Madame Butterfly) with Salt Marsh Opera, Sam (Trouble in Tahiti) with Yale Cabaret Theater, Handel's Messiah with Eastern Connecticut Symphony, Mephistopheles
(Faust) with Boston Opera Collaborative, Haydn Creation with Newton Choral Society, the NewYork premier of Figaro 90210, and Emille de Becque* (South Pacific) at St Petersburg Opera. This season after his role of Escamillo (Carmen) with Opera Western Reserve and a debut with Opera in Williamsburg he returned to New York's Broadway district in the critically acclaimed revival of Figaro 90210 then continued to Boston's Opera Brittenica for the world premiere of Noli Me Tangere followed by performances at the Oregon Bach festival, Don Giovanni with Salt Marsh Opera, and will debut with Odyssey Opera in Trial at Rouen. Mr. Scott has received awards from the Martina Arroyo Foundation, the American Prize in opera, Bel Canto Scholarship Foundation, Chautauqua Inst., Amici Foundation, Shreveport Opera Singer of the Year, Violetta Dupont Foundation, and Gerda Lissner Foundation.
E V E N T S
Mar
May
Mar 22-24 2019
Lancelot in Camelot
Indianapolis Opera
May 18 2019 A Funny Thing happened
on the way to the forum
Natchez Festival Opera
May
May 26 2019
Colline in La Boheme
Natchez Festival Opera
“The robust-voiced baritone Luke Scott ...”
The New York Times
“Luke Scott, as Figaro, possesses a solid baritone that can carry over the orchestra with ease..”
Berkshire Fine Arts
“A fine lyric baritone”
Opera news
"An attractive voice filled with rich and powerful resonances"
Hartford Courant
"Luke Scott sang with an elegantly dark vocal color, maintaining clear diction and fine pitch in his Toreador Song, embodying his character’s pride and enthusiasm"
Cleveland Classical
June
July
July
Aug
Sept
Nov
Jun 16, 2019
Neptune in The Tempest
Connecticut Early music festival
Jul 2, 2019
Soloist with
Boston Camerata
Jul 25-28 2019
Le Nozze di Figaro
Geneva Light Opera
Aug 6-11 2019
Belcore in L'Elisire D'amore
Opera Theater of Connecticut
Sept 13-14, 2019
Sarastro in Die Zauberflote
Vermont Barn Opera
Nov 8, 2019
Concert with
Boston Camerata
Dec
Jan
Feb
Apr
Dec 7, 2019
Amahl and the Night visitors
Opera Connecticut
Jan 18,25, Feb, 2 2020
Ludus Danielis The Play of Daniel
Early Music Seattle/Boston Camerata
Feb 8, 2020
Emile De Beque in South pacific
The Norwalk Symphony
Apr, 2020
Friar Laurence in Romeo and Juliet
Mississippi Opera
